Happy New 
Year
  
 Welcome to the first Topic Records Newsletter of 2017. We would 
like to wish you all a happy and peaceful New Year.
  Our exhibition at 
the Barbican Music Library - ‘Topic Records & The Art of Folk 
Music’ - will continue until February 7th, and is free to visit. During 
this month we have two very special evening events planned: 
Monday 
January 16th  - An Audience with Eliza Carthy 
Eliza 
will be in conversation with Colin Irwin (Mojo, fRoots, The Guardian) and David 
Suff (Topic Records) + a very rare solo acoustic performance. Barbican Music 
Library, 7pm – 9pm (refreshments available) 
 Monday 
Jan 30th 2017 - An Audience with Martin Carthy and Martin Simpson 
The 
two Martins will be in conversation with Colin Irwin and David Suff, and 
perform some songs in a  unique unplugged acoustic performance. Barbican 
Music Library, 7pm – 9pm (refreshments available) 
The 
Music Library is situated on the 2nd floor of the Barbican 
Centre: 
Barbican 
Music Library, Barbican Centre, Silk Street,  LONDON EC2Y 
8DS Opening hours: Monday 9.30am - 5.30pm Tuesday 9.30am - 
7.30pm Wednesday 9.30am - 5.30pm Thursday 9.30am - 7.30pm Friday 
9.30am - 2pm Saturday 9.30am - 4pm The library is closed on bank 
holidays. 
 
 
BUTTON 
BADGESFor the 
splendid NORMAFEST in Whitby last weekend we produced some beautiful new button 
badges - one set based upon icon photographs of the classic mid-'60s Watersons 
and one set using images of Waterson:Carthy from 1994:     
Pioneering English traditional folk 
powerhouse,  Eliza Carthy, first assembled the  Wayward 
Band in 2013 in order to explore and celebrate her long and varied 
career in folk music, ‘the last truly underground music scene’. To do this Eliza 
put together a team of hugely talented musicians from across the UK and together 
they hit the road to promote her ‘Best Of’ compilation,  Wayward Daughter, which coincided with a biography of 
the same name. Eliza and the Wayward Band loved playing together so much – as 
well as becoming a festival favourite – that it seemed natural and inevitable, 
as well as characteristically ambitious, that this 12-piece would set about 
recording an album. The result is ‘Big Machine’, recorded at the renowned Real 
World and Rockfield Studios and produced by the multi-talented Jim Sutherland. 
The Wayward Band line-up is a veritable dream team of musicians comprising 
 Sam Sweeney (Bellowhead),  David Delarre 
(Mawkin),  Barn Stradling (Blowzabella),  Saul 
Rose,  Beth Porter,  Lucy Farrell 
(Emily Portman Trio),  Will Molleson,  Andrew 
Waite (Tyde),  Laurence Hunt, 
 Nick Malcolm and  Adrien ‘Yen-Yen’ Toulouse. 
 
 The material on  Big Machine represents a healthy slice of 
everything good that is happening in traditional music now, across a sparkling 
spectrum of sound. The album features three contemporary songs; Eliza’s own “You 
Know Me” about the refugee crisis and notions of hospitality (featuring MC 
Dizraeli), a powerful cover of Ewan Maccoll’s Radio Ballad “The Fitter’s Song” 
(at the behest of Peggy Seeger – and the song which inspired the album title) 
and an affectionate reworking of Rory McLeod's “Hug You Like a Mountain”, 
re-imagined here as a duet with Teddy Thompson.  
There 
are also several examples of the Broadside ballad collections housed in 
Chetham’s Library in Manchester given a new twist with music by Eliza and the 
band. This follows a programme Eliza presented for BBC Radio 4 about the 
Manchester Ballads, covering everything from songs about and caused by domestic 
abuse (“Devil in the Woman”, the sumptuous and searing “Fade and Fall (Love 
Not)”, to the seafaring life in “The Sea”. Added to that a couple of brilliantly 
constructed instrumentals, a song about dying from custard poisoning and a 
heartbreaking traditional ballad “I Wish that the Wars were all Over” (performed 
live with the band onstage in Real World Studios’ Studio One and featuring Irish 
superstar Damien Dempsey), and you begin to get the picture. A very big picture, 
a Big Machine firing on all cylinders. 
Big Machine is certainly one of Eliza 
Carthy’s most adventurous and accomplished works to date – and given that Eliza 
is the most passionate and groundbreaking English traditional singer of her 
generation, ‘Big Machine’ is an album you really won’t want to miss.  
 
 
  
  
  
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