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Sunday 22 January 2017

A Happy New Year for 2017 From Topic Records.


Happy New Year



Welcome to the first Topic Records Newsletter of 2017. We would like to wish you all a happy and peaceful New Year.

Our exhibition at the Barbican Music Library - ‘Topic Records & The Art of Folk Music’ - will continue until February 7th, and is free to visit. During this month we have two very special evening events planned:
Monday January 16th  - An Audience with Eliza Carthy
Eliza will be in conversation with Colin Irwin (Mojo, fRoots, The Guardian) and David Suff (Topic Records) + a very rare solo acoustic performance.
Barbican Music Library, 7pm – 9pm (refreshments available)

Monday Jan 30th 2017 - An Audience with Martin Carthy and Martin Simpson
The two Martins will be in conversation with Colin Irwin and David Suff,
and perform some songs in a  unique unplugged acoustic performance.
Barbican Music Library, 7pm – 9pm (refreshments available)
The Music Library is situated on the 2nd floor of the Barbican Centre:
Barbican Music Library, Barbican Centre, Silk Street,  LONDON EC2Y 8DS
Opening hours:
Monday 9.30am - 5.30pm
Tuesday 9.30am - 7.30pm
Wednesday 9.30am - 5.30pm
Thursday 9.30am - 7.30pm
Friday 9.30am - 2pm
Saturday 9.30am - 4pm
The library is closed on bank holidays.

Some exhibition special offers
Our monthly special offers are a great way of filling the gaps in your music collection, or to give as splendid gifts for friends. Throughout January we are continuing our selection of very special offers - ten albums from the expansive Topic catalogue at the very special price of only £6 each:
 




TSCD 126  LOUIS KILLEN ~ BALLADS & BROADSIDES
TSCD 411  NIC JONES ~ PENGUIN EGGS
TSCD 427  ALISTAIR ANDERSON ~ STEEL SKIES
TSCD 449  JUNE TABOR ~ AQABA
TSCD 472  The WATERSONS ~ EARLY DAYS
TSCD 512  HARRY COX ~ THE BONNY LABOURING BOY

TSCD576D  EWAN MacCOLL ~ BALLADS
TSCD 602  VARIOUS ARTISTS ~ IRISH DANCE MUSIC
TSCD 607  VARIOUS ARTISTS ~ ENGLISH COUNTRY MUSIC
TSCD774D  VARIOUS ARTISTS ~ VOICE + VISION

 

BUTTON BADGES
For the splendid NORMAFEST in Whitby last weekend we produced some beautiful new button badges - one set based upon icon photographs of the classic mid-'60s Watersons and one set using images of Waterson:Carthy from 1994:
 
Limited quantities are now available for mail order.

The WATERSON badge set
WATERSON:CARTHY badge set

BIG MACHINE
Pioneering English traditional folk powerhouse, Eliza Carthy, first assembled the Wayward Band in 2013 in order to explore and celebrate her long and varied career in folk music, ‘the last truly underground music scene’. To do this Eliza put together a team of hugely talented musicians from across the UK and together they hit the road to promote her ‘Best Of’ compilation, Wayward Daughter, which coincided with a biography of the same name. Eliza and the Wayward Band loved playing together so much – as well as becoming a festival favourite – that it seemed natural and inevitable, as well as characteristically ambitious, that this 12-piece would set about recording an album. The result is ‘Big Machine’, recorded at the renowned Real World and Rockfield Studios and produced by the multi-talented Jim Sutherland. The Wayward Band line-up is a veritable dream team of musicians comprising Sam Sweeney (Bellowhead), David Delarre (Mawkin), Barn Stradling (Blowzabella), Saul Rose, Beth Porter, Lucy Farrell (Emily Portman Trio), Will Molleson, Andrew Waite (Tyde), Laurence Hunt, Nick Malcolm and Adrien ‘Yen-Yen’ Toulouse.


The material on Big Machine represents a healthy slice of everything good that is happening in traditional music now, across a sparkling spectrum of sound. The album features three contemporary songs; Eliza’s own “You Know Me” about the refugee crisis and notions of hospitality (featuring MC Dizraeli), a powerful cover of Ewan Maccoll’s Radio Ballad “The Fitter’s Song” (at the behest of Peggy Seeger – and the song which inspired the album title) and an affectionate reworking of Rory McLeod's “Hug You Like a Mountain”, re-imagined here as a duet with Teddy Thompson.
There are also several examples of the Broadside ballad collections housed in Chetham’s Library in Manchester given a new twist with music by Eliza and the band. This follows a programme Eliza presented for BBC Radio 4 about the Manchester Ballads, covering everything from songs about and caused by domestic abuse (“Devil in the Woman”, the sumptuous and searing “Fade and Fall (Love Not)”, to the seafaring life in “The Sea”. Added to that a couple of brilliantly constructed instrumentals, a song about dying from custard poisoning and a heartbreaking traditional ballad “I Wish that the Wars were all Over” (performed live with the band onstage in Real World Studios’ Studio One and featuring Irish superstar Damien Dempsey), and you begin to get the picture. A very big picture, a Big Machine firing on all cylinders.
Big Machine is certainly one of Eliza Carthy’s most adventurous and accomplished works to date – and given that Eliza is the most passionate and groundbreaking English traditional singer of her generation, ‘Big Machine’ is an album you really won’t want to miss.
BIG MACHINE is released on the 3rd February 2017
and available to pre-order now from:
PLEDGE, PROPERMUSIC.COM, AMAZON and ITUNES
 

  


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