KLEZMER-ish - 'Dusty 
Road' New Album Tour \*\*\*Booking Now for 2020 Festivals plus dates 
May/June/July 2020\*\*\* From rip-roaring klezmer and dynam
 
  
New album out on World Music Network Record 
Label 
 
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From rip-roaring klezmer and dynamic tango, to their self-penned 
gypsy- jazz, Klezmer-ish bring a trademark twist to whatever genre takes their 
fancy. Drawing inspiration from the music of bygone travellers. Four incredibly 
outward-looking classically trained musicians who met whilst playing with the 
Royal Liverpool Philharmonic Orchestra. Their fittingly titled new album ‘Dusty 
Road’ sees the band freeing themselves from the "shackles" of the rigid 
hierarchy of the orchestra as they explore the music of immigrants from various 
cultural backgrounds who left their homelands in pursuit of a better life. 
As their name implies, Klezmer-ish cannot simply be pigeonholed as a 
straight-ahead Klezmer act, but rather a band with an incredibly diverse and 
forever expanding repertoire, built up over the three years that they've been 
performing. Bound together in the true spirit of intercultural exchange, their 
music is always on the move, like the travelling peoples that it reflects. As 
Connie, the bands accordionist and violinist, points out, "These peoples took their musical traditions with 
them and as much as they influenced the music scene wherever they settled, so 
was their music influenced by the cultures they encountered in their new-found 
homes. Klezmer music of Jewish immigrants, tangos by Piazzolla (who grew up in 
Argentina as a son of Italian immigrants) or the gypsy jazz of Stéphane 
Grappelli & Django Reinhardt (the fantastic collaboration of a classically 
trained French/Italian violinist with a self-taught gypsy guitarist) are all 
examples of amazing musical fusions." 
 
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Klezmer-ish (new album out on World Music Network in 
2020) 
 
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Like their music, the band's approach is incredibly flexible and 
democratic, as guitarist and vocalist Rob acknowledges, "We all play equal parts in the quartet. No one is 
purely accompaniment or the main voice, but we constantly swap roles. Even 
Marcel on the bass very often takes the leading part and plays the melody rather 
than just sticking to the bass line as you would expect. This certainly 
introduces an unusual sound world." It's an approach very much in evidence 
on the classic album opener 'Klezmer's Freilach' where the band bring in and out 
of focus each instrumental element to the music. This gives the music a fluidity 
and constantly changing dynamism unto its own, as the album takes you on a 
wide-ranging journey of musical styles from Klezmer, tango, gypsy- jazz and 
beyond.  What makes Klezmer-ish so special is their passion for exploring 
exciting new areas whilst retaining the grounded excellence of their rigorous 
training as classical musicians. The band however play with a palpable sense of 
freedom and are not aiming for perfect renditions of the originals or trying to 
play in an 'authentic' style, but rather to tailor these pieces to their own 
personal taste and give them their own unique twist. Whether it be the re- 
interpreting of tango pieces 'Volver' and 'Kicho' by the genres most famous sons 
Carlos Gardel and Astor Piazzolla, or letting loose on multi- instrumentalist 
Rob's two self-penned gypsy- jazz inspired compositions 'September Sun' and 
'Dusty Road', their approach is always true and respectful to the genre whilst 
at the same time offering a distinctly fresh approach. 
From the deeply moving Hebrew song by Shem Tov Levi 'Amud Ha'Esh', 
which was used for the documentary television series of the Israel Broadcasting 
Authority "Pillar Of Fire" in 1981, to the greatly contrasting Romanian tunes 
'Pendelasul Fetelor' and 'Doina And Street Melody', this collection of a dozen 
pieces demonstrates the bands outward looking approach and desire to challenge 
themselves outside of the hierarchical structure and strict rules of the 
symphony orchestra. In the words of the band "There is no such thing with Klezmer- ish. No boss! 
All equals. No rules or regulations. It is all led by the music, and by the 
mutual respect we have for each other's talent." 
 
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For all booking enquiries and 
details on availability please contact: 
11 / 23 / 24 / 25 MAY  7 / 8 JUNE  15 JUNE - 6 JULY  13 / 18 
/ 27 - 31 JULY  1 - 25 + 29 / 30 AUGUST 
GAIL COOKE 
LAUGHING DOG MUSIC 
gail@laughingdogmusic.co.uk 
 
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Klezmer-ish 
 
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